Best Mexican Film | Pan-American Machinery by Joaquín del Paso

 

Best Actor | Adrián Ladrón for La 4a. Company

 

Best actress | Marleyda Soto, Luisa Vides Galiano and Jocelyn Meneses for Oscuro Animal

 

Best Director | Felipe Guerrero for Dark Animal

 

Best screenplay | Marina Seresesky for The Open Door

 

Best Photography | Fernando Lockett for Dark Animal

 

Best Ibero-American Fiction Feature Film

Dark Animal by Felipe Guerrero

 

Special mention | Margarita by Bruno Santamaría Razo (Mexico)

 

Best First Ibero-American Fiction Feature Film | Ángel Manuel Soto's farm (Puerto Rico)

 

Best Director of Ibero-American Fiction Feature Film

Felipe Guerrero for Dark Animal (Colombia)

 

Special Jury Prize for Ibero-American Fiction Feature Film | The 4th company of Amir Galván and Vanessa Arreola (Mexico)

 

Best Actor in Ibero-American Fiction Feature Film

Adrián Ladrón for The 4th Company (Mexico)

 

Best actress (Ibero-American Fiction Feature Film)

Marleyda Soto, Luisa Galiano and Jocelyn Meneses for Dark Animal (Colombia)

 

Best Photography (Ibero-American Fiction Feature Film) Fernando Lockett for Dark Animal (Colombia)

 

Best screenplay (Ibero-American Fiction Feature Film) Marina Seresesky for The Open Door (Spain)

 

Best Ibero-American Documentary | El Charro de Toluquilla by José Villalobos Romero

 

Special Jury Prize (Ibero-American Documentary) | Patient of Jorge Caballero (Colombia, Spain)

 

Special Documentary Jury Award

Patient of Jorge Caballero

 

Special Jury Prize for Ibero-American Fiction Feature Film | The 4th Company of Amir Galván Cervera and Mitzi Vanessa Arreola

 

Best Ibero-American Short Film | Los Angeles 1991 by Miguel de Olaso and Bruno Zacarías

 

Special mention (Ibero-American Short Film) | The decline of Juan de Omar Deneb Juárez (Mexico)

 

Rigo Mora Award | The Cats by Alejandro Ríos. (Mexico)

 

Maguey Award | Théo and Hugo in the bateau meme,

Olivier Ducastel and Jacques Martineau (France)

 

Special mention | Boi neon by Gabriel Mascaro (Brazil)

 

Fipresci Award for Best Mexican Film | Pan-American machinery from Joaquín del Paso (Mexico)

 

Feisal “Boris Goldenblank” Award | The Good Christian by Izabel Acevedo (Mexico)

 

Jalisciense Academy of Cinematography Award (Short Film) | The aeronauts of León Fernández (Mexico)

 

Jalisco Academy of Cinematography Award

(Feature Film) | Beach law by Jorge Díaz Sánchez (Mexico)

 

Guerrero Press Award (Fiction Feature Film) | The 4th company of Amir Galván and Vanessa Arreola (Mexico)

 

Guerrero Press Award (Documentary Feature)

The passage of Everardo González (Mexico)

The Ballad of Oppenheimer Park, by Juan Manuel Sepúlveda (Mexico) Baño de vida, by Dalia R. Reyes (Mexico) The Good Christian, by Izabel Acevedo (Mexico) La Carga, by Alan Jonsson Gavica (Mexico, Spain) El charro de Toluquilla, by José Villalobos Romero (Mexico) The 4th Company, by Amir Galván Cervera, Mitzi Vanessa Arreola (Mexico) Deserted Cities, by Roberto Sneider (Mexico) Beach Law, by Jorge Díaz Sánchez (Mexico) Of the Dead, by José Luis Gutierrez Arias (Mexico) Short distances, by Alejandro Guzmán (Mexico) Enamor(d)ados, by Gabriel Retes (Mexico) Hernán Cortés, a Man between God and the Devil, by Fernando González Sitges (Mexico) The place of flowers , by Héctor I. Jiménez (Mexico) Maquinaria Panamericana, by Joaquin Del Paso (Mexico) Margarita, by Bruno Santamaría Razo (Mexico) Mr. Pig, by Diego Luna (Mexico) Nueva Venecia, by Emiliano Mazza de Luca (Uruguay, Mexico , Colombia) Light Feet, by Juan Carlos Núñez Chavarría (Mexico) Viviana Rocco Yo Trans, by Daniel Reyes (Mexico)

 

The charro of Toluquilla, by José Villalobos Romero (Mexico)

Beach Law, by Jorge Díaz Sánchez (Mexico)

The Place of Flowers, by Héctor I. Jiménez (Mexico)

The 4th company, by Amir Galván Cervera, Mitzi Vanessa Arreola (Mexico)

To the center of the Earth, by Daniel Rosenfeld (Argentina, France, Germany, Holland)

AMAMA, by Asier Altuna (Spain)

Nothing has happened here, by Alejandro Fernández Almendras (Chile, United States, France)

Boi Neon, by Gabriel Mascaro (Brazil)

Road to La Paz, by Francisco Varone (Argentina, Germany, Holland)

Deserted Cities, by Roberto Sneider (Mexico)

The farm, by Ángel Manuel Soto (Puerto Rico)

Magellan, from Salvador del Solar (Peru, Colombia, Argentina, Spain)

The memory of water, by Matias Bize (Chile, Spain, Argentina, Germany)

The Olive Tree, by Icíar Bollaín (Spain)

Dark Animal, by Felipe Guerrero (Colombia, Argentina, Holland, Germany, Greece)

The Open Door, by Marina Seresesky (Spain)

Zoom, by Pedro Morelli (Brazil, Canada)

35 and single, by Paula Schargorodsky (Argentina, United States, Spain)

Bath of Life, by Dalia R. Reyes (Mexico)

The charro of Toluquilla, by José Villalobos Romero (Mexico)

Damiana Kryygi, by Alejandro Fernández Mouján (Argentina)

Dead Slow Ahead, by Mauro Herce (Spain, France)

District Zero, by Pablo Iraburu, José Fernández Mayoral, Pablo Tosco (Spain, Jordan) 

Horizons, by Eileen Hofer (Cuba, Switzerland)

The legacy, by Roberto Anjari-Rossi (Germany, Chile) 

Margarita, by Bruno Santamaría Razo (Mexico)

My beloved Spain, by Mercedes Moncada Rodríguez (Spain)

We . They, by Julia Pesce (Argentina)

New Venice, by Emiliano Mazza de Luca (Uruguay, Mexico, Colombia)

Patient, by Jorge Caballero (Colombia, Spain)

El Paso, by Everardo González Reyes (Mexico)

The Aeronauts, by León Fernández (Mexico)

Alfa, by Javier Ferreiro (Cuba)

Alike, by Daniel Martínez Lara, Rafa Cano Méndez (Spain)

Los Ángeles 1991, by Zacarías&MacGregor (Spain, United States)

The Arachnids, by Tomás Espinoza (Argentina, Venezuela)

Aurelia and Pedro, by José Permar, Omar Robles (Mexico)

Blast Beat, by Esteban Arango (Colombia, United States)

Blood Brothers, by Marco Espírito Santo, Miguel Coimbra (Portugal)

The House of Hops, by Paula Hopf (Mexico)

Hunter, by Ricardo Valenzuela Pinilla (Chile)

Chalma, by Miguel Ángel Fernández (Mexico)

Breakfast with Tiffany, by Andrés Molano Moncada (Colombia)

I hope you are well, by Lucía Díaz Álvarez (Mexico)

Fissures, by Roberto Fiesco (Mexico)

The cats, by Alejandro Ríos (Mexico)

Until the dominoes always!, by Tian Cartier (Argentina)

Jingle, by Marta Aledo (Spain)

Lost Crazy Women, by Ignacio Juricic (Chile)

Daylight, by Mauricio Calderón Mora (Mexico)

Macabre, by Jerónimo Rocha, João Miguel Real (Portugal)

Tide of Earth, by Manuela Martelli, Amirah Tajdin (Chile, France)

Marta Rosa, by Barbara Cigarroa (Mexico)

Boys on the roof, by Julián Hernández (Mexico)

Neiwa, by Abraham de Jesús Cruz Herrera, Francisco Javier Vázquez Cervantes (Mexico)

The decline of Juan, by Omar Deneb Juárez Vargas (Mexico)

Eighty, by Juan Manuel Zúñiga (Mexico)

Punta Cana, by Javier Castro, Mariana Vargas (Colombia)

Reverse, by Mariángela Guzmán Favela, Francisco Mercado Torres (Mexico)

San Cristóbal, by Omar Zúñiga Hidalgo (Chile)

Tarantula, by Aly Muritiba, Marja Calafange (Brazil)

Carmelo tomatoes, by Danilo Baracho (Spain, Brazil, Canada)

Night Shift, by Vicente Ruiz de León Consuegra (Spain)

A tale of love, madness and death, by Mijael Bustos (Chile, Germany)

Uriel and Jade, by Eduardo Esquivel (Mexico)

I, President, from Arantxa Echevarría (Spain)

Arianna, by Carlo Lavagna (Italy)

Bath of Life, by Dalia R. Reyes (Mexico)

Barash, by Michal Vinik (Israel)

Boi Neon, by Gabriel Mascaro (Brazil)

Chemsex, by William Fairman, Max Gogarty (England)

Departure, by Andrew Steggall (England, France)

Desire Will Set You Free, by Yony Leyser (Germany)

Já, Olga Hepnarová, by Petr Kazda, Tomas Weinreb (Czech Republic)

Loev, by Sudhanshu Saria (Suds) (India)

You will never be alone, by Alex Anwandter (Chile)

Théo et Hugo dans le même bateau, by Olivier Ducastel, Jacques Martineau (France)

Bull, by Martin Hawie (Germany)

Viva, by Paddy Breathnach (Ireland, Cuba)

Viviana Rocco Yo Trans, by Daniel Reyes (Mexico)

 

Special screenings

Divas of sensitivity

Ramona, by Edwin Carewe (United States)

Tab Hunter Confidential, by Jeffrey Schwarz (United States)

InFielicidad, by Jaime Humberto Hermosillo (Mexico)

Henry Gamble's Birthday Party, by Stephen Cone (United States)

La passion d'Augustine, by Léa Pool (Canada)

The King of Havana, by Agustí Villaronga (Spain, Dominican Republic)

Those People, by Joey Kuhn (United States)

La Vanité, by Lionel Baier (Switzerland, France)

Women He's Undressed, by Gillian Armstrong (Australia)

Mayahuel de Plata Alfonso Arau Mayahuel for the Acting Career Ron Perlman

Switzerland, guest of honor

 

Fiction 

Heidi, by Alain Gsponer (Switzerland, Germany)

Dora Order Die Sexuellen Neurosen Unserer Eltern, by Stina Werenfels (Switzerland, Germany)

Eine wen iig, dr Dällebach Kari, by Xavier Koller (Switzerland)

Heimatland, by Michael Krummenacher, Jan Gassmann, Lisa Blatter, Gregor Frei, Benny Jaberg, Carmen Jaquier, Jonas Meier, Tobias Nölle, Lionel Rupp, Mike Scheiwiller (Switzerland, Germany) 

Keeper, by Guillaume Senez (Belgium, Switzerland, France)

Köpek, by Esen Isik (Switzerland)

Der Meister und Max, by Marcel Derek Ramsay (Switzerland)

Miracolul din Tekir, by Ruxandra Zenide (Switzerland, Romania)

Nichts Passiert, by Micha Lewinsky (Switzerland)

Reise der Hoffnung, by Xavier Koller (Switzerland)

La Giovinezza, by Paolo Sorrentino (Switzerland, Italy, France, United Kingdom)

 

Documentaries

Above and below, by Nicolas Steiner (Switzerland, Germany)

Broken Land, by Stéphanie Barbey and Luc Peter (Switzerland)

Horizons, by Eileen Hofer (Cuba, Switzerland) 

Girls, by Juliana Fanjul (Switzerland, Mexico)

Sleepless in New York, by Christian Frei (Switzerland)

 

Swiss Short Films

Looking for patriots, by Marí Alessandrini (Switzerland, Argentina)

Cats & Dogs, by Jesús Pérez, Gerd Gockell (Germany, Switzerland)

Cyclopèdes, by Mathieu Epiney (Switzerland)

D'ombres et d'ailes, by Eleonora Marinoni, Elice Meng (Switzerland, France)

Fingerspiel, by Mauro Mueller (United States, Germany)

Heidi Beim Geräuschemacher, by Christian Frei (Switzerland)

Mamci i Udice, by Luka Popadic (Serbia, Switzerland)

Our sea, by Eileen Hofer (Switzerland)

Heidi, by Alain Gsponer (Switzerland, Germany)

Mr. Pig, by Diego Luna (Mexico)

Schellen-Ursli, by Xavier Koller (Switzerland)

Latin Lover, by Cristina Comencini (Italy)

La passion d'Augustine, by Léa Pool (Canada)

Kicking off, by Matt Wilde (UK)

GUATDEFOC, by Fernando Lebrija (Mexico, United States)



Granny's dancing on the table, by Hanna Sköld (Sweden, Denmark)

Iona, by Scott Graham (UK, Germany)

Jajda, by Svetla Tsotsorkova (Bulgaria)

Le nouveau, by Rudi Rosenberg (France)

Parasol, by Valéry Rosier (Belgium)

Psychonauts, the forgotten children, by Alberto Vázquez, Pedro Rivero (Spain)

Cafard, by Jan Bultheel (Belgium, France, Holland)

Coconut Hero, by Florian Cossen (Canada, Germany)

Domácí péce, by Slávek Horák (Czech Republic, Slovakia)

Enkalava, by Goran Radovanovic (Germany, Serbia)

Film Kteer Kbeer, by Mir-Jean Bou Chaaya (Lebanon, Qatar)

Mate-me please, by Anita Rocha da Silveira (Brazil, Argentina)

My friend from the park, by Ana Katz (Argentina, Uruguay)

My big night, by Álex de la Iglesia (Spain)

The Legacy of Frida Kahlo, by Tadasuke Kotani (Japan, Mexico)

The Paradise Suite, by Joost van Ginkel (Netherlands)

The King of Havana, by Agustí Villaronga (Spain, Dominican Republic)



How to Change the World, by Jerry Rothwell (Canada, United Kingdom)

Landfill Harmonic, by Brad Allgood, Graham Townsley, Juliana Penaranda-Loftus (United States, Paraguay, Norway, Brazil)

SILA and the gatekeepers of the Arctic, by Corina Gamma (Switzerland, United States)



Canoe, by Felipe Cazals (Mexico)

Alice beyond the abyss, by Abril Schmucler Iñiguez (Mexico)

The Longest Road, by Alexis Morante (Spain) 

I think I hear. A possible history of Sanampay, by Camila Bejarano Petersen (Argentina)

Cumbia la Reina, six decades of Cumbia in Argentina, by Pablo Coronel (Argentina)

Gangbé!, by Arnaud Robert (Switzerland)

In Granada it is possible, by Cristina & MariaJosé Martín Barcelona (Spain) 

Making Rock fashionable, by Santiago Charriere (Argentina)

The Sucundún. Making Cumbia, by Jaime Eduardo Murillo Eslava (Colombia)

The Third Root: searching for the origin of the son, by Allen Reed Rickert, Camilo Nu (Mexico, Spain, Morocco, France, United States)

The adventures of Itzel and Sonia, by Fernanda Rivero Gutiérrez (Mexico)

A horse called Elefante, by Andres Waissbluth (Chile, Mexico, Colombia)

Kaguyahime no Monogatari, by Isao Takahata (Japan)

Ted Sieger's Molly Monster – Der Kinofilm, by Ted Sieger, Michael Ekblad, Matthias Bruhn (Germany, Switzerland, Sweden)

Tout en haut du monde, by Rémi Chayé (France)

The adventures of Itzel and Sonia, by Fernanda Rivero Gutiérrez (Mexico)

A horse called Elefante, by Andres Waissbluth (Chile, Mexico, Colombia)

Kaguyahime no Monogatari, by Isao Takahata (Japan)

Ted Sieger's Molly Monster – Der Kinofilm, by Ted Sieger, Michael Ekblad, Matthias Bruhn (Germany, Switzerland, Sweden)

Tout en haut du monde, by Rémi Chayé (France)




327 notebooks, by Andrés Di Tella (Argentina, Chile)

The arrival of Conrado Sierra, by René Pereyra (Mexico)

Cola, Colita, Colassa (Ode to Barcelona), by Ventura Pons (Spain)

Gored, by Ido Mizrahy (United States, Mexico)

Steal Big Steal Little, by Andrew Davis (United States)

Akasen tamanoi: Nukeraremasu, by Tatsumi Kumashiro (Japan)

Edogawa Ranpo ryôki-kan: Yaneura no sanposha, by Noboru Tanaka (Japan)

Kurobara Shôten, by Tatsumi Kumashiro (Japan)

Tenshi no harawata: Akai memai, by Takashi Ishii (Japan)

 

Presence of the Gramado Film Festival in Guadalajara

 

A Melhor Parte, Adão Maurício Borges de Medeiros · 7'52”

Léo, by Mariani Ferreira · 15'

Another Empty Space Davi, by Oliveira Pinheiro · 8'

Between us, by Maciel Fischer · 15' 41”

Tea Falco, Actress

Jorge Granier, Producer

Martín Hernández, Sound Director

Ofelia Medina, Actress

Annick Mahnert, Foreign Market and Festival Representative for Swiss Films

Nicolas Entel , Director

Manuel Martínez Velázquez, Academic and producer

Elizabeth McIntyre CEO and Director of Sheffield Festivals

Anita Reher, Producer

Seraina Rohrer, Director of the Solothurn Film Festival

Juan Arturo Brennan, Musician

Jossie Harris Thacker, Actress

Georges Schwizgebel, Animator

Assumpta Serna, Actress

José Ignacio Solórzano JIS, Caricaturist

João Federici, Director of the MixBrasil Festival

Franck Finance-Madureira, Director of Queer Palm

Paz Lázaro, Panorama Programmer

Iván Madeo, Producer

Diana Vargas, Artistic Director of the Havana Film Festival in New York

University of Audiovisual Media (CAAV)

Mexico

Adriana Patricia Martínez Muñoz

Alejandro Huereca

 

Casa Comal Film and Television School (CC)

Guatemala

Boris Bladimir Veliz

 

AC Cinematographic Training Center (CCC)

Mexico

Percival Argüero Mendoza

José Armando Salomo Rosas

 

University Center of Social Sciences and Humanities (CUCSH)

Mexico

Victor Abraham Torres Diaz

Debra Ma. Figueroa Martínez

 

University Center for Cinematographic Studies, UNAM (CUEC)

Mexico

Bastián Pascal González Ortega

Isabel Torres Barajas

 

Department of Image and Sound of the University of Guadalajara (DIS)

Mexico

Jorge Eduardo Esquivel Colima

Monserrat López Lucio

 

École cantonal d'art de Laussane (ÉCAL)

Swiss

Imanol Pittaluga

 

International School of Cinema and Television (EICTV)

Cuba

Tatiana Monge Herrera

 

National School of Film Experimentation and Production (ENERC)

Argentina

Ernesto López Jové

 

Luis Buñuel Veracruz Film School (EVCLB)

Mexico

Andrés Hernández Covarrubias

 

Iberoamerican University (IBERO)

Mexico

Rafael Trejo Ortega

 

Western Institute of Technology and Higher Studies (ITESO)

Mexico

Naomi Greene Ortiz

Alberto Alatorre Angulo

 

Higher Institute of Arts, Faculty of Audiovisual Media (ISA, FAMCA)

Cuba

Jessica Franca Artigas

 

LAMAR University

Mexico

Daniel Alejandro Hernandez Duarte

 

Metro State University (MSU)

USA

Annie Moua

 

New York University, Kanbar Institute of Film & TV, Tisch School of the Arts (NYU)

USA

Cristina Tamez Rodríguez

 

Technological Institute of Higher Studies of Monterrey (ITESM, LAD)

Mexico

Alexa Ledesma Galicia

 

Technological Institute of Higher Studies of Monterrey (ITESM, LCMD)

Mexico

Jaime Arturo Sánchez Ochoa

 

University of Digital Arts (UAD)

Mexico

Rocio Rivera Ortiz

 

University of the Atemajac Valley (UNIVA)

Mexico

Michelle Prado Vargas

Ixtlaxochitl Villa Barrios

 

Pan American University (UP)

Mexico

Sandra Daniela Arratia Mc Ginnis

 

Popular Autonomous University of the State of Puebla (UPAEP)

Mexico

José Pablo Rodríguez Morales

 

Veritas University (UV)

Costa Rica

Yesterday Villanueva Castillo

Juan Grillo Tadeo, Specialist in Interinstitutional Management

Alfredo Naime Padua, Academic

Sergio Olhovich, Filmmaker and producer

Dennis West, Film critic

Geri Krebs, Film critic

Mariángel Solomita Chiarelli, Journalist and Film Critic

Like water for chocolate, by Alfonso Arau (Mexico)

Cooking up a tribute, by Luis González, Andrea Gómez (Spain)

Jerez and the mystery of the palo Corta, by José Luis López Linares (Spain)

Sunú, by Teresa Camou Guerrero (Mexico)

The blue years, by Sofía Gómez-Córdova (Mexico)

The Apprentice, by Tomás de Leone (Argentina) 

Bruma, by Max Zunino (Mexico, Germany)

Bad meeting, by Claudia Huaiquimilla (Chile)

Blood in the mouth, by Hernán Belón (Argentina, Italy)

Sharing stella, by Enrique Álvarez (Cuba, Colombia)

Zeus, by Miguel Calderón (Mexico)

Soul, by Diego Rougier (Chile)

Stored, by Jack Zagha (Mexico)

A monster with a thousand heads, by Rodrigo Plá (Mexico)

The adventures of Itzel and Sonia, by Fernanda Rivero Gutiérrez (Mexico)

Alfonso Arau

Actor

National Tribute

 

Ron Perlman

Actor

International Tribute

FICG MINUTE